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" To me it is a most touching face ; perhaps of all faces that I know, the most so. Lonely there, painted as on vacancy, with the simple laurel wound round it; the deathless sorrow and pain, the known victory which is also deathless... "
Paragraph-writing - Página 57
por Fred Newton Scott, J. V. Denney - 1893 - 133 páginas
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WORKS.

Thomas Carlyle - 1840 - 520 páginas
...attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it. To me it is a most touching face ; perhaps of all...deathless ; — significant of the whole history of Dante 1 I think it is the mournfulest face that ever was painted from reality ; an altogether tragic, heart-affecting...
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On Heroes, Hero-worship, & the Heroic in History: Six Lectures ; Reported ...

Thomas Carlyle - 1841 - 408 páginas
...attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it. To me it is a most touching face ; perhaps of all faces that I know, the most so. Blank there, painted on vacancy, with the simple laurel wound round it ; the deathless sorrow and pain,...
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On Heroes, Hero-worship, and the Heroic in History: Six Lectures, Reported ...

Thomas Carlyle - 1842 - 414 páginas
...attributed to Giotto, which, looking on it, you cannot help inclining . to think genuine, whoever did it. To me it is a most touching face ; perhaps of all...round it ; the deathless sorrow and pain, the known vie. tory which is also deathless ; — significant of the whole history of Dante ! I think it is the...
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On Heroes, Hero-worship, & the Heroic in History: Six Lectures ; Reported ...

Thomas Carlyle - 1846 - 490 páginas
...attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it. To me it is a most touching face; perhaps of all faces that I know, the most so. Lonely there, paintted as on vacancy, with the simple laurel wound round it ; the deathless sorrow and pain, the...
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On Heroes, Hero-worship, and the Heroic in History: Six Lectures

Thomas Carlyle - 1849 - 260 páginas
...attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it. To me it is a most touching face; perhaps of all faces that I know, the most so. Lonely there, paintted as on vacancy, with the simple laurel wound round it; the deathless sorrow and pain, the known...
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On Heroes, Hero-worship and the Heroic in History: Six Lectures, Reported ...

Thomas Carlyle - 1857 - 238 páginas
...me it is a most touching face; perhaps of all faces that I know, the most so. Lonely there, paintted as on vacancy, with the simple laurel wound round...deathless sorrow and pain, the known victory which is also deathless;—significant of the whole history of Dante! I think it is the mournfulest face that ever...
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Sartor Resartus (1831): Lectures on Heroes (1840)

Thomas Carlyle - 1858 - 412 páginas
...attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it. To me it is a most touching face ; perhaps of all...of the whole history of Dante ! I think it is the mournfullest face that ever was .painted- ' from reality ; an altogether tragic, heart-aft'octing face....
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Leaves from an Invalid's Journal, and Poems

Mrs. E. N. Gladding - 1858 - 258 páginas
...says of Dante's portrait, applies to himself— his spirit face, as I conceive it. " To me, (he says,) it is a most touching face; perhaps of all faces that I know, the most so. I think it is the mournfullest face that was ever painted from reality ; an altogether tragic, heart-affecting...
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The Divine Comedy, Volumen2

Dante Alighieri - 1870 - 468 páginas
...attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it To me it is a most touching face ; perhaps, of all...of the whole history of Dante ! I think it is the moumfulest face that ever was painted from reality ; an altogether tragic, heartaffecting face. There...
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The Collected Works of Thomas Carlyle: Sartor resartus (1831). Lectures on ...

Thomas Carlyle - 1871 - 408 páginas
...attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it. To me it is a most touching face ; perhaps of all...of the whole history of Dante ! I think it is the mournfullest face that ever was painted from reality ; an altogether tragic, heart-affecting face....
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