Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
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Página 24
... sense of humor as Frey defines the term ( " a sense of proportion and propitiation " related to " the ongoingness of life " ) . " 3 In the case of Viola and Sebast- ian , however , both sexuality and sense of humor seem fully developed ...
... sense of humor as Frey defines the term ( " a sense of proportion and propitiation " related to " the ongoingness of life " ) . " 3 In the case of Viola and Sebast- ian , however , both sexuality and sense of humor seem fully developed ...
Página 98
... sense of rigid ego boundaries and differentiation . The basic feminine sense of self is connected to the world , the basic masculine sense of self is separate . " 7 Ibid . , p . 151 . 99 8 Dorothy Dinnerstein , The Mermaid and the ...
... sense of rigid ego boundaries and differentiation . The basic feminine sense of self is connected to the world , the basic masculine sense of self is separate . " 7 Ibid . , p . 151 . 99 8 Dorothy Dinnerstein , The Mermaid and the ...
Página 182
... sense . After all , it was well known that Jews circumcised young boys , and it was not all that difficult to imagine this practice as part of a more complex and secretive Jewish ritual ending in human sacrifice . In other ways ...
... sense . After all , it was well known that Jews circumcised young boys , and it was not all that difficult to imagine this practice as part of a more complex and secretive Jewish ritual ending in human sacrifice . In other ways ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
Otras 1 secciones no mostradas
Otras ediciones - Ver todas
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young