Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
Dentro del libro
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Página 152
... ring plot comes to rest on the idea of cuckoldry , a theme as persistent in the comedies as that of male friendship . Bonds with men precede mar- riage and interfere with it ; cuckoldry , men fear , fol- lows marriage and threatens it ...
... ring plot comes to rest on the idea of cuckoldry , a theme as persistent in the comedies as that of male friendship . Bonds with men precede mar- riage and interfere with it ; cuckoldry , men fear , fol- lows marriage and threatens it ...
Página 154
... ring as " your wife's first gift " ( 5.2.166 ) , that is , her virginity . In giving Bassanio her " ring , ” Portia gives him her virginity , and a husband's traditionally exclu- sive sexual rights to her . In All's Well That Ends Well ...
... ring as " your wife's first gift " ( 5.2.166 ) , that is , her virginity . In giving Bassanio her " ring , ” Portia gives him her virginity , and a husband's traditionally exclu- sive sexual rights to her . In All's Well That Ends Well ...
Página 155
... ring plot are : Marilyn L. Williamson , " The Ring Episode in The Merchant of Venice , " South Atlantic Quarterly 71 ( 1972 ) : 587-94 ; James E. Siemon , “ The Merchant of Venice : Act V as Ritual Reiteration , " Stud- ies in ...
... ring plot are : Marilyn L. Williamson , " The Ring Episode in The Merchant of Venice , " South Atlantic Quarterly 71 ( 1972 ) : 587-94 ; James E. Siemon , “ The Merchant of Venice : Act V as Ritual Reiteration , " Stud- ies in ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young