Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
Dentro del libro
Resultados 1-3 de 62
Página 223
... reader is a possible , even legitimate restriction , but a big one . It leaves out not only the common reader but most un- common ones as well . Is a rhetorical poetic necessary ? What is it good at describing ? Just its two extremes ...
... reader is a possible , even legitimate restriction , but a big one . It leaves out not only the common reader but most un- common ones as well . Is a rhetorical poetic necessary ? What is it good at describing ? Just its two extremes ...
Página 265
... reader band together in looking at " them . " The protagonists of the story exist somewhere else , in a fictional place and time that are home to neither storyteller nor reader . In Beaumont's " Salmacis and Hermaphroditus , " the most ...
... reader band together in looking at " them . " The protagonists of the story exist somewhere else , in a fictional place and time that are home to neither storyteller nor reader . In Beaumont's " Salmacis and Hermaphroditus , " the most ...
Página 304
... reader's mind . The metaphoric dimension of language in which Shake- speare excels involves the reader in selecting and sub- stituting linguistic elements at almost each point in the linear chain of words . A poet who emphasizes this ...
... reader's mind . The metaphoric dimension of language in which Shake- speare excels involves the reader in selecting and sub- stituting linguistic elements at almost each point in the linear chain of words . A poet who emphasizes this ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
Otras 1 secciones no mostradas
Otras ediciones - Ver todas
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young