Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
Dentro del libro
Resultados 1-3 de 68
Página 229
... poet admits that he falls short precisely where , as a poet , he should have most scope for his talents . The second and third qua- trains then specify the reasons for the failure by concen- trating on the face in the mirror . In one ...
... poet admits that he falls short precisely where , as a poet , he should have most scope for his talents . The second and third qua- trains then specify the reasons for the failure by concen- trating on the face in the mirror . In one ...
Página 289
... poet's burden , none will work . But the last may open the way for the poet - or rather the friend - to find an escape : " Th ' offender's sorrow lends but weak relief / To him that bears the strong offence's cross . " The fi- nal word ...
... poet's burden , none will work . But the last may open the way for the poet - or rather the friend - to find an escape : " Th ' offender's sorrow lends but weak relief / To him that bears the strong offence's cross . " The fi- nal word ...
Página 293
... poet - lover dominates English lyrics during the later sixteenth century . Poets of this period , ultimately influenced by Petrarch but also by the French , characteristically introduce the lovers in their poems as poets , inspired to ...
... poet - lover dominates English lyrics during the later sixteenth century . Poets of this period , ultimately influenced by Petrarch but also by the French , characteristically introduce the lovers in their poems as poets , inspired to ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
Otras 1 secciones no mostradas
Otras ediciones - Ver todas
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young