Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
Dentro del libro
Resultados 1-3 de 88
Página 78
... marriage to Octavia as he earlier fled " Egyptian fetters " ( I.ii.117 ) . " The institution of marriage serves in the comedies to qualify romance , to incorporate sexuality , and to rec- oncile individual passion with the social order ...
... marriage to Octavia as he earlier fled " Egyptian fetters " ( I.ii.117 ) . " The institution of marriage serves in the comedies to qualify romance , to incorporate sexuality , and to rec- oncile individual passion with the social order ...
Página 88
... marriage to cement the alliance or hopes that it will give him an excuse to break it , and whether he thinks the marriage will satisfy Octavia or consciously sacrifices her to political ends , its political function is clear . For ...
... marriage to cement the alliance or hopes that it will give him an excuse to break it , and whether he thinks the marriage will satisfy Octavia or consciously sacrifices her to political ends , its political function is clear . For ...
Página 151
... marriage in these comedies , of course . He simply lets marriage symbolize the ideal accommodation of eros with soci- ety , and the continuation of both lineage and personal identity into posterity . Yet at the same time he never fails ...
... marriage in these comedies , of course . He simply lets marriage symbolize the ideal accommodation of eros with soci- ety , and the continuation of both lineage and personal identity into posterity . Yet at the same time he never fails ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young