Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
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Página 130
... friendship and generos- ity we began by discussing , but some theologians pre- dictably saw worldly dangers , even the sin of idolatry , in the excesses of friendship . If Antonio only loves the world for Bassanio , so much the worse ...
... friendship and generos- ity we began by discussing , but some theologians pre- dictably saw worldly dangers , even the sin of idolatry , in the excesses of friendship . If Antonio only loves the world for Bassanio , so much the worse ...
Página 324
... friendship which world literature had developed : the giving away of one's bride to one's friend and the giving of one's life for the sake of a friend . The latter motif appears singly in stories of the Damon - and- Pythias type or in ...
... friendship which world literature had developed : the giving away of one's bride to one's friend and the giving of one's life for the sake of a friend . The latter motif appears singly in stories of the Damon - and- Pythias type or in ...
Página 357
... friendship over love.20 But perhaps The Merchant of Venice offers a better parallel ? After all , in the trial scene ... friendship , since he gives way to Bassanio's heterosexual interests . The familiar argument that Antonio's early ...
... friendship over love.20 But perhaps The Merchant of Venice offers a better parallel ? After all , in the trial scene ... friendship , since he gives way to Bassanio's heterosexual interests . The familiar argument that Antonio's early ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young