Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
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Página 247
... appears in Between Men : English Lit- erature and Male Homosocial Desire ( New York : Columbia UP , 1985 ) , 28-48 . 34 Compare my discussion of what I term " temporal displacement " in Echoes of Desire , esp . 111-13 and 78-79 . 35 ...
... appears in Between Men : English Lit- erature and Male Homosocial Desire ( New York : Columbia UP , 1985 ) , 28-48 . 34 Compare my discussion of what I term " temporal displacement " in Echoes of Desire , esp . 111-13 and 78-79 . 35 ...
Página 324
... appears singly in stories of the Damon - and- Pythias type or in the Orestes - Pylades myth . In the wonderfully apt tripartite structure of Boccaccio's tale , however , Titus's risking his life is used as the final proof that he ...
... appears singly in stories of the Damon - and- Pythias type or in the Orestes - Pylades myth . In the wonderfully apt tripartite structure of Boccaccio's tale , however , Titus's risking his life is used as the final proof that he ...
Página 355
... appears in Julia's ring trick . Even the appearance of sentiment in the midst of hilarity is common to both . If Valentine had sung his lonely soliloquy about living among outlaws in the forest , it might well have resembled Frederic's ...
... appears in Julia's ring trick . Even the appearance of sentiment in the midst of hilarity is common to both . If Valentine had sung his lonely soliloquy about living among outlaws in the forest , it might well have resembled Frederic's ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young