Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
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... Shake- speare's heroes , complete with illustrations , nor have critics ritually agonized over who deserves to be hailed as the manliest of Shakespeare's men . Even worse , the contagion spreads from contemplation of his female ...
... Shake- speare's heroes , complete with illustrations , nor have critics ritually agonized over who deserves to be hailed as the manliest of Shakespeare's men . Even worse , the contagion spreads from contemplation of his female ...
Página 245
... Shake- speare's sequence . Pace Lyotard , certain master narra- tives do survive ; for instance , attraction to an equiva- lent of the Whig view of history still structures many critical narratives . Witness the assumption that the so ...
... Shake- speare's sequence . Pace Lyotard , certain master narra- tives do survive ; for instance , attraction to an equiva- lent of the Whig view of history still structures many critical narratives . Witness the assumption that the so ...
Página 270
... Shake- speare's poems . However , if we consider the epistle's context , a more interesting set of possibilities arise . Erasmus's epistle is included in the Rhetorique as an example of persuasive oration , and in many ways it can be ...
... Shake- speare's poems . However , if we consider the epistle's context , a more interesting set of possibilities arise . Erasmus's epistle is included in the Rhetorique as an example of persuasive oration , and in many ways it can be ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young