Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
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Página 315
... Proteus will not be argued out of love , he does not angrily deny Valentine's premises , for he shares to some extent Valentine's ambivalence about love , an ambivalence that can be found in Elizabethan sonnets that speak of love both ...
... Proteus will not be argued out of love , he does not angrily deny Valentine's premises , for he shares to some extent Valentine's ambivalence about love , an ambivalence that can be found in Elizabethan sonnets that speak of love both ...
Página 316
... Proteus in literary hyperboles that closely resemble his . Making a religion out of her love , she declares that when she rejoins Proteus in Milan , she will rest as " a blessed soul doth in Elysium . " She speaks of herself as one who ...
... Proteus in literary hyperboles that closely resemble his . Making a religion out of her love , she declares that when she rejoins Proteus in Milan , she will rest as " a blessed soul doth in Elysium . " She speaks of herself as one who ...
Página 361
... Proteus's unusual and seem- ingly inexplicable behaviour as J. I. M. Stewart showed it to be in Leontes ' sudden jealousy , " which will also help to explain the combination of the two plots . In The Winter's Tale , as Stewart suggests ...
... Proteus's unusual and seem- ingly inexplicable behaviour as J. I. M. Stewart showed it to be in Leontes ' sudden jealousy , " which will also help to explain the combination of the two plots . In The Winter's Tale , as Stewart suggests ...
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young