Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen40Gale Research Company, 1984 |
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Página 125
... Merchant is a play about circularity and circulation ; it asks how the vicious circle of the bond's law can be transformed into the ring of love . And it answers : through a literal and unreserved submission to the ... MERCHANT OF VENICE.
... Merchant is a play about circularity and circulation ; it asks how the vicious circle of the bond's law can be transformed into the ring of love . And it answers : through a literal and unreserved submission to the ... MERCHANT OF VENICE.
Página 155
... Merchant of Venice which " create discomfort , point to centrifugality . " See his Shakespeare and the Problem of Meaning ( Chicago : University of Chicago Press , 1981 ) , p . 29. Interesting essays on the ring plot ... MERCHANT OF VENICE.
... Merchant of Venice which " create discomfort , point to centrifugality . " See his Shakespeare and the Problem of Meaning ( Chicago : University of Chicago Press , 1981 ) , p . 29. Interesting essays on the ring plot ... MERCHANT OF VENICE.
Página 165
... Merchant of Venice ( Cambridge : Cambridge University Press , 1987 ) , 1-2 . 99 ' Joan Hartwig , Shakespeare's Analogical Scene ( Lin- coln : University of Nebraska Press , 1983 ) , 12. As Bradbrook , " Shakespeare and ... MERCHANT OF VENICE.
... Merchant of Venice ( Cambridge : Cambridge University Press , 1987 ) , 1-2 . 99 ' Joan Hartwig , Shakespeare's Analogical Scene ( Lin- coln : University of Nebraska Press , 1983 ) , 12. As Bradbrook , " Shakespeare and ... MERCHANT OF VENICE.
Contenido
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young