cloud-capp'd towers, the gorgeous palaces," &c. which has been so often quoted, that every school-boy knows it by heart; the other is that which Prospero makes in abjuring his art. "Ye elves of hills, brooks, standing lakes, and groves, To hear the solemn curfew, by whose aid We must not forget to mention among other things in this play, that Shakespear has antici pated nearly all the arguments on the Utopian "Gonzalo. Had I the plantation of this isle, my lordAntonio. He'd sow it with nettle-seed. Sebastian. Or docks or mallows. Gonzalo. And were the king of it, what would I do? No occupation, all men idle, all, And women too; but innocent and pure: No sovereignty. Sebastian. And yet he would be king on't. Antonio. The latter end of his commonwealth forgets the beginning. Gonzalo. All things in common nature should produce Without sweat or endeavour. Treason, felony, Sword, pike, knife, gun, or need of any engine Would I not have; but nature should bring forth, To feed my innocent people! Sebastian. No marrying 'mong his subjects? Antonio. None, man; all idle; whores and knaves. Gonzalo. I would with such perfection govern, sir, To excel the golden age. Sebastian. Save his majesty!" cloud-capp'd towers, the gorgeous palaces," &c. which has been so often quoted, that every school-boy knows it by heart; the other is that which Prospero makes in abjuring his art. "Ye elves of hills, brooks, standing lakes, and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him When he comes back; you demi-puppets, that By moon-shine do the green sour ringlets make, Whereof the ewe not bites; and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew, by whose aid (Weak masters tho' ye be) I have be-dimm'd The noon-tide sun, call'd forth the mutinous winds, And 'twixt the green sea and the azur'd vault Set roaring war; to the dread rattling thunder Have I giv'n fire, and rifted Jove's stout oak With his own bolt; the strong-bas'd promontory Have I made shake, and by the spurs pluck'd up The pine and cedar graves at my command : Have wak'd their sleepers; oped, and let them forth ...We must not forget to mention among other things in this play, that Shakespear has antici pated nearly all the arguments on the Utopian "Gonzalo. Had I the plantation of this isle, my lordAntonio. He'd sow it with nettle-seed. Sebastian. Or docks or mallows. Gonzalo. And were the king of it, what would I do? No occupation, all men idle, all, And women too; but innocent and pure: No sovereignty. Sebastian. And yet he would be king on't. Antonio. The latter end of his commonwealth forgets the beginning. Gonzalo. All things in common nature should produce Without sweat or endeavour. Treason, felony, Sword, pike, knife, gun, or need of any engine Would I not have; but nature should bring forth, To feed my innocent people! Sebastian. No marrying 'mong his subjects? Antonio. None, man; all idle; whores and knaves. Gonzalo. I would with such perfection govern, sir, To excel the golden age. Sebastian. Save his majesty!" THE MIDSUMMER NIGHT'S DREAM. BOTTOм the Weaver is a character that has not had justice done him. He is the most romantic of mechanics. And what a list of companions he has-Quince the Carpenter, Snug the Joiner, Flute the Bellows-mender, Snout the Tinker, Starveling the Tailor; and then again, what a group of fairy attendants, Puck, Peaseblossom, Cobweb, Moth, and Mustardseed! It has been observed that Shakespear's characters are constructed upon deep physiological principles; and there is something in this play which looks very like it. Bottom the Weaver, who takes the lead of "This crew of patches, rude mechanicals, follows a sedentary trade, and he is accordingly |