The Cambridge Companion to ByronDrummond Bone Cambridge University Press, 2004 M11 18 Byron's life and work have fascinated readers around the world for two hundred years, but it is the complex interaction between his art and his politics, beliefs and sexuality that has attracted so many modern critics and students. In three sections devoted to the historical, textual and literary contexts of Byron's life and times, these specially commissioned essays by a range of eminent Byron scholars provide a compelling picture of the diversity of Byron's writings. The essays cover topics such as Byron's interest in the East, his relationship to the publishing world, his attitudes to gender, his use of Shakespeare and eighteenth-century literature, and his acute fit in a post-modernist world. This Companion provides an invaluable resource for students and scholars, including a chronology and a guide to further reading. |
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Página xvi
... Beppo was in November 1960 at his lectures of Fisica Supe- riore ( Advanced Physics ) at the Physics Institute of the University of Milan . In the following months my acquaintance with Beppo gradually improved and grew in the following ...
... Beppo was in November 1960 at his lectures of Fisica Supe- riore ( Advanced Physics ) at the Physics Institute of the University of Milan . In the following months my acquaintance with Beppo gradually improved and grew in the following ...
Página 7
... Beppo and Little Black Beppo They drew in. VOLUME 51 GERTRUDE B. LANE , EDITOR JULY 1924 NUMBER 7 LL THE boats of the fishing fleet had al- A ready gone when Big Black Beppo , in his great rubber boots , followed by Little Black Beppo in ...
... Beppo and Little Black Beppo They drew in. VOLUME 51 GERTRUDE B. LANE , EDITOR JULY 1924 NUMBER 7 LL THE boats of the fishing fleet had al- A ready gone when Big Black Beppo , in his great rubber boots , followed by Little Black Beppo in ...
Página 32
... BEPPO's repeated - GIACOMO imitates him ) ( reads ) " When the wedding folks Have started , agitate the bell , my ... BEPPO . ( to LORENZO ) If I had you without your janizaries . LORENZO . Let us conceal ourselves ; -Antonio , take ...
... BEPPO's repeated - GIACOMO imitates him ) ( reads ) " When the wedding folks Have started , agitate the bell , my ... BEPPO . ( to LORENZO ) If I had you without your janizaries . LORENZO . Let us conceal ourselves ; -Antonio , take ...
Página 31
... BEPPO who retreats a step and likewise shakes his head in refusal . ) MARIO . You also refuse to kill the Falcon for me , Beppo ? BEPPO . Signorino — I cannot . – MARIO ( quietly ) . Then , -I must do it , myself . ( There is an outcry ...
... BEPPO who retreats a step and likewise shakes his head in refusal . ) MARIO . You also refuse to kill the Falcon for me , Beppo ? BEPPO . Signorino — I cannot . – MARIO ( quietly ) . Then , -I must do it , myself . ( There is an outcry ...
Página 21
... Beppo when Uncle Luigi , the olive - grower , died and left him the money . With the means of getting to his friend there came the longing . Beppo had known Tessa very well , though he had too harshly gone against her for her treatment ...
... Beppo when Uncle Luigi , the olive - grower , died and left him the money . With the means of getting to his friend there came the longing . Beppo had known Tessa very well , though he had too harshly gone against her for her treatment ...
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Albania allusions andhis andthe anonymous asthe atthe Beppo biographical British Byron’s poetry Byronand bythe Cain Cambridge Companion Canto Caroline century character Childe Harold Childe Harold’s Pilgrimage classical Coleridge contemporary critics cultural Don Juan drama edited eighteenthcentury English European forgetfulness fromthe Giaour Greece Greek Harold III hehad hero heroines Hobhouse Hobhouse’s Ibid imagination inhis inthe isthe Jerome McGann John Cam Hobhouse John Murray judgement Lady Lara letters literary London Lord Byron lyric Manfred Manfred’s masculinity Mazeppa modern Moore moral Murray’s Napoleon narrative nineteenthcentury ofByron’s ofhis ofthe onthe ottava ottava rima Ottoman Ottoman Greece Peter Cochran philhellenism play poem poem’s poet poet’s poetic political postmodern prose published Pushkin reader Review Romantic Romanticism Sardanapalus Satanic satire sceptical self sexual Shakespeare Shelley Shelley’s Southey Southey’s stanza thatthe thepoem Thomas tobe tothe University Press Venice verse Vision Whig witha withthe Wordsworth writing