The Harvard Classics, Volumen32Charles William Eliot P. F. Collier & son, 1910 |
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Página 127
... classical source in high places ; for example , to spring from Dante rather than to issue laboriously from Malherbe . Modern Italy had her classical authors , and Spain had every right to believe that she also had hers at a time when ...
... classical source in high places ; for example , to spring from Dante rather than to issue laboriously from Malherbe . Modern Italy had her classical authors , and Spain had every right to believe that she also had hers at a time when ...
Página 128
... classical meant . The eighteenth century , even in its medley of things , strengthened this idea through some fine works , due to its four great men . Read Voltaire's Age of Louis XIV . , Montesquieu's Greatness and Fall of the Romans ...
... classical meant . The eighteenth century , even in its medley of things , strengthened this idea through some fine works , due to its four great men . Read Voltaire's Age of Louis XIV . , Montesquieu's Greatness and Fall of the Romans ...
Página 130
... classical qualities seems mostly to depend on harmony and nuances of expression , on graceful and tem- perate style : such is also the most general opinion . In this sense the pre - eminent classics would be writers of a mid- dling ...
... classical qualities seems mostly to depend on harmony and nuances of expression , on graceful and tem- perate style : such is also the most general opinion . In this sense the pre - eminent classics would be writers of a mid- dling ...
Página 131
... classical works , said : - " Every subject is one , and however vast it is , it can be comprised in a single treatise . Interruptions , pauses , sub - divisions should only be used when many subjects are treated , when , having to speak ...
... classical works , said : - " Every subject is one , and however vast it is , it can be comprised in a single treatise . Interruptions , pauses , sub - divisions should only be used when many subjects are treated , when , having to speak ...
Página 132
... classical theory can pre- sent to its friends as well as to its enemies ? In spite of the admirable simplicity and dignity in the achievement of such unique productions , we should like , nevertheless , in the interests of art , to ...
... classical theory can pre- sent to its friends as well as to its enemies ? In spite of the admirable simplicity and dignity in the achievement of such unique productions , we should like , nevertheless , in the interests of art , to ...
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absolute action æsthetic appearance beauty become better Breton Brittany Byron categorical categorical imperative Celtic races Chrétien de Troyes classical conceived conception condition consequently Cymric death desire determination discourse divine doth duty effect empirical eternal existence faculty feeling force freedom genius Giraldus Cambrensis give Goethe happiness hath honour human idea ideal imagination imperative impulsion inclination individual infinite instinct judgment kingdom of ends knowledge korigans Lady Charlotte Guest liberty limits live Mabinogion matter maxim means mind Modron Molière Montaigne moral law necessary necessity never object objective laws pantheism Peredur perfect person philosophy physical Plato poetry poets possible practical principle priori pure rational reality reason regard respect Roman selfe sensuous soul speake spirit synthetic proposition taste things thou thought tion trouvères true truth understanding unity universal law unto whole words world of sense worth