Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 páginas This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Página 35
... emotional complex when , threatened with frustration of his plan to use Camillo in a family ploy , he spitefully repudiates the benefits he formerly received from him . Thus he petulantly says to Camillo , to whom he owes his life ...
... emotional complex when , threatened with frustration of his plan to use Camillo in a family ploy , he spitefully repudiates the benefits he formerly received from him . Thus he petulantly says to Camillo , to whom he owes his life ...
Página 72
... emotional Neighbors and Constners in Arte . Because he seeks paradox . he cannot see paradox , and so insists that there must be the extremity of the one " only of the opposite emotions in the mixed passion he has seen . The Third ...
... emotional Neighbors and Constners in Arte . Because he seeks paradox . he cannot see paradox , and so insists that there must be the extremity of the one " only of the opposite emotions in the mixed passion he has seen . The Third ...
Página 136
... emotional mindset Shakespeare's age called ' frowardness'.87 In this she will balk at any taste , behav- iour or idea that she feels is threatening to the fragile deadlock of her emotional world . This mindset is inspired by well ...
... emotional mindset Shakespeare's age called ' frowardness'.87 In this she will balk at any taste , behav- iour or idea that she feels is threatening to the fragile deadlock of her emotional world . This mindset is inspired by well ...
Contenido
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Derechos de autor | |
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according actual aesthetic Antigonus Aretino argued artifice artistic audience Autolycus Camillo character Chasseguet-Smirgel claim colour complex concerning concubinage connection cosmetics court courtiers couvade critics crucial Culpeper cultural cunning folk death depicted described desire discussed dramatic E. H. Gombrich ekphrasis emotional England English erotic especially Ewbank expressed festival Flora Florizel flowers gestures Giulio Romano Gombrich Hermione Hermione's statue human Ibid illusion imagination instance interpretation Isabella d'Este Italian Jacobean Jonson's Julio kairos King Laslett later Lawner Leontes lovers Macfarlane magic Mamillius marriage Michelangelo modi nature painted statue Palazzo del Te Pandosto Paulina's Perdita perhaps Pericles play play's Polixenes portrayed possible praise Prince psychoanalytic psychological Renaissance role says sculpture seen sexual Shake Shakespeare's Shakespearian sheep-shearing shows similar social Sokol soliloquy sonnets sort speare's statue scene statue's stone suggest symbolic theatre theatrical theory tion tradition Truewit Varchi's Vasari visual Winter's Tale witchcraft witches words Wotton