Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 páginas This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Página 76
... desire to kiss Hermione's newly painted and supposedly sculpted face : Good my lord , forbear : The ruddiness upon her lip is wet ; You'll mar it if you kiss it , stain your own With oily painting . ( V , iii , 80-3 ) Here she amplifies ...
... desire to kiss Hermione's newly painted and supposedly sculpted face : Good my lord , forbear : The ruddiness upon her lip is wet ; You'll mar it if you kiss it , stain your own With oily painting . ( V , iii , 80-3 ) Here she amplifies ...
Página 129
... desire cannot be denied . Yet a resulting ' change ' is what she fears , as she says just after , lest court - bred Florizel ' woo'd me the false way ' ( IV , iv , 150-1 ) , and she would become his concu- bine , or as she'd earlier put ...
... desire cannot be denied . Yet a resulting ' change ' is what she fears , as she says just after , lest court - bred Florizel ' woo'd me the false way ' ( IV , iv , 150-1 ) , and she would become his concu- bine , or as she'd earlier put ...
Página 136
... desire to breed by me ' ( IV , iv , 103 ) ? 86 Perdita first responds to her dilemmas of desire by practising internalised limitation , adopting the emotional mindset Shakespeare's age called ' frowardness'.87 In this she will balk at ...
... desire to breed by me ' ( IV , iv , 103 ) ? 86 Perdita first responds to her dilemmas of desire by practising internalised limitation , adopting the emotional mindset Shakespeare's age called ' frowardness'.87 In this she will balk at ...
Contenido
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Derechos de autor | |
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Términos y frases comunes
according actual aesthetic Antigonus Aretino argued artifice artistic audience Autolycus Camillo character Chasseguet-Smirgel claim colour complex concerning concubinage connection cosmetics court courtiers couvade critics crucial Culpeper cultural cunning folk death depicted described desire discussed dramatic E. H. Gombrich ekphrasis emotional England English erotic especially Ewbank expressed festival Flora Florizel flowers gestures Giulio Romano Gombrich Hermione Hermione's statue human Ibid illusion imagination instance interpretation Isabella d'Este Italian Jacobean Jonson's Julio kairos King Laslett later Lawner Leontes lovers Macfarlane magic Mamillius marriage Michelangelo modi nature painted statue Palazzo del Te Pandosto Paulina's Perdita perhaps Pericles play play's Polixenes portrayed possible praise Prince psychoanalytic psychological Renaissance role says sculpture seen sexual Shake Shakespeare's Shakespearian sheep-shearing shows similar social Sokol soliloquy sonnets sort speare's statue scene statue's stone suggest symbolic theatre theatrical theory tion tradition Truewit Varchi's Vasari visual Winter's Tale witchcraft witches words Wotton