Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 páginas This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Página 32
... depicted by Shakespeare have been only recently named and systematically investigated . Of course this does not prove that they did not exist formerly , any more than Leonardo's amazing anatomi- cal and natural drawings were of the non ...
... depicted by Shakespeare have been only recently named and systematically investigated . Of course this does not prove that they did not exist formerly , any more than Leonardo's amazing anatomi- cal and natural drawings were of the non ...
Página 69
... depict- ing the extraordinary events that comprise the fiction of the play ' ; " or the possibility of the ... depiction of painful or ambivalent emotions . Let me apply aspects of Wotton's marginalia and Greville's verses to ...
... depict- ing the extraordinary events that comprise the fiction of the play ' ; " or the possibility of the ... depiction of painful or ambivalent emotions . Let me apply aspects of Wotton's marginalia and Greville's verses to ...
Página 110
... depicted as crushed by the masonry pulled down by their attempts to climb . The walls , floor and ceiling are all covered with continuous swirling forms . This room's somewhat crude trompe l'oeil depiction of collaps- ing architecture ...
... depicted as crushed by the masonry pulled down by their attempts to climb . The walls , floor and ceiling are all covered with continuous swirling forms . This room's somewhat crude trompe l'oeil depiction of collaps- ing architecture ...
Contenido
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Derechos de autor | |
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according actual aesthetic Antigonus Aretino argued artifice artistic audience Autolycus Camillo character Chasseguet-Smirgel claim colour complex concerning concubinage connection cosmetics court courtiers couvade critics crucial Culpeper cultural cunning folk death depicted described desire discussed dramatic E. H. Gombrich ekphrasis emotional England English erotic especially Ewbank expressed festival Flora Florizel flowers gestures Giulio Romano Gombrich Hermione Hermione's statue human Ibid illusion imagination instance interpretation Isabella d'Este Italian Jacobean Jonson's Julio kairos King Laslett later Lawner Leontes lovers Macfarlane magic Mamillius marriage Michelangelo modi nature painted statue Palazzo del Te Pandosto Paulina's Perdita perhaps Pericles play play's Polixenes portrayed possible praise Prince psychoanalytic psychological Renaissance role says sculpture seen sexual Shake Shakespeare's Shakespearian sheep-shearing shows similar social Sokol soliloquy sonnets sort speare's statue scene statue's stone suggest symbolic theatre theatrical theory tion tradition Truewit Varchi's Vasari visual Winter's Tale witchcraft witches words Wotton