Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 páginas This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
Dentro del libro
Resultados 1-3 de 35
Página 26
... critics derive their understandings of The Win- ter's Tale . Psychoanalytic perspectives , and why we will have no ... criticism ' may become prima facie accept- able if it comes equipped with psychoanalytic trappings . I cannot ...
... critics derive their understandings of The Win- ter's Tale . Psychoanalytic perspectives , and why we will have no ... criticism ' may become prima facie accept- able if it comes equipped with psychoanalytic trappings . I cannot ...
Página 27
... critics have diminished his ' dramatic poems ' by intruding wild irrelevances . So one critic treats Leontes as if he were an isolated neurotic individual , dismissing the importance for an ap- preciation of his jealousy of Polixenes ...
... critics have diminished his ' dramatic poems ' by intruding wild irrelevances . So one critic treats Leontes as if he were an isolated neurotic individual , dismissing the importance for an ap- preciation of his jealousy of Polixenes ...
Página 167
... critics ( surprisingly many ) have condemned Autolycus morally ; some have seen him as an abuser of ' art ' de- ployed by Shakespeare to provide an ' inverse ' to a positive role for art in the play , while others have seen his role as ...
... critics ( surprisingly many ) have condemned Autolycus morally ; some have seen him as an abuser of ' art ' de- ployed by Shakespeare to provide an ' inverse ' to a positive role for art in the play , while others have seen his role as ...
Contenido
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Derechos de autor | |
Otras 4 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
according actual aesthetic Antigonus Aretino argued artifice artistic audience Autolycus Camillo character Chasseguet-Smirgel claim colour complex concerning concubinage connection cosmetics court courtiers couvade critics crucial Culpeper cultural cunning folk death depicted described desire discussed dramatic E. H. Gombrich ekphrasis emotional England English erotic especially Ewbank expressed festival Flora Florizel flowers gestures Giulio Romano Gombrich Hermione Hermione's statue human Ibid illusion imagination instance interpretation Isabella d'Este Italian Jacobean Jonson's Julio kairos King Laslett later Lawner Leontes lovers Macfarlane magic Mamillius marriage Michelangelo modi nature painted statue Palazzo del Te Pandosto Paulina's Perdita perhaps Pericles play play's Polixenes portrayed possible praise Prince psychoanalytic psychological Renaissance role says sculpture seen sexual Shake Shakespeare's Shakespearian sheep-shearing shows similar social Sokol soliloquy sonnets sort speare's statue scene statue's stone suggest symbolic theatre theatrical theory tion tradition Truewit Varchi's Vasari visual Winter's Tale witchcraft witches words Wotton