Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 páginas This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Página 94
... Vasari tells at first hand : sent by Julius III to [ the aged ] Michelangelo's house for a design at the first hour of the night ... Vasari turned his eyes to examine a leg of the Christ at which he was working . . . and , in order to ...
... Vasari tells at first hand : sent by Julius III to [ the aged ] Michelangelo's house for a design at the first hour of the night ... Vasari turned his eyes to examine a leg of the Christ at which he was working . . . and , in order to ...
Página 95
... Vasari's Lives in the account of Pontormo , 3 the painter we have quoted in connection with his extraordinary reply to Benedetto Varchi's survey of paragoni . According to Vasari , Pontormo was in private life an ' eccentric and ...
... Vasari's Lives in the account of Pontormo , 3 the painter we have quoted in connection with his extraordinary reply to Benedetto Varchi's survey of paragoni . According to Vasari , Pontormo was in private life an ' eccentric and ...
Página 215
... Vasari , 1979 . 33 See Clapp , 1972 , pp . 73–9 . Clapp admits , p . 73 , that ' from 1535-1545 Pontormo was ... Vasari's implication , vol . 2 , pp . 1539–40 , that the choir was painted to rival the Sistine Chapel . 34 Oremland ...
... Vasari , 1979 . 33 See Clapp , 1972 , pp . 73–9 . Clapp admits , p . 73 , that ' from 1535-1545 Pontormo was ... Vasari's implication , vol . 2 , pp . 1539–40 , that the choir was painted to rival the Sistine Chapel . 34 Oremland ...
Contenido
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
Derechos de autor | |
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Términos y frases comunes
according actual aesthetic Antigonus Aretino argued artifice artistic audience Autolycus Camillo character Chasseguet-Smirgel claim colour complex concerning concubinage connection cosmetics court courtiers couvade critics crucial Culpeper cultural cunning folk death depicted described desire discussed dramatic E. H. Gombrich ekphrasis emotional England English erotic especially Ewbank expressed festival Flora Florizel flowers gestures Giulio Romano Gombrich Hermione Hermione's statue human Ibid illusion imagination instance interpretation Isabella d'Este Italian Jacobean Jonson's Julio kairos King Laslett later Lawner Leontes lovers Macfarlane magic Mamillius marriage Michelangelo modi nature painted statue Palazzo del Te Pandosto Paulina's Perdita perhaps Pericles play play's Polixenes portrayed possible praise Prince psychoanalytic psychological Renaissance role says sculpture seen sexual Shake Shakespeare's Shakespearian sheep-shearing shows similar social Sokol soliloquy sonnets sort speare's statue scene statue's stone suggest symbolic theatre theatrical theory tion tradition Truewit Varchi's Vasari visual Winter's Tale witchcraft witches words Wotton