Lectures on Rhetoric and Belles Lettres ...: To which are Added, Copious Questions; and an Analysis of Each Lecture A. Mills ...J. Kay, jr., & Bro., 1833 - 549 páginas |
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Página vi
... Writing ,. 398 XXXVIII . Nature of Poetry - Its Origin and Progress - Versification ,. XXXIX . Pastoral Poetry ... Writing - Dialogue - Epistolary Writing - Fictitious History , ..... 410 423 433 447 459 XLII . Epic Poetry , ..... 471 ...
... Writing ,. 398 XXXVIII . Nature of Poetry - Its Origin and Progress - Versification ,. XXXIX . Pastoral Poetry ... Writing - Dialogue - Epistolary Writing - Fictitious History , ..... 410 423 433 447 459 XLII . Epic Poetry , ..... 471 ...
Página 9
... writing . It is obvious , then , that writing and discourse are objects entitled to the highest attention . Whether the influence of the speaker , or the entertainment of the hearer , be consulted ; whether utility or pleasure be the ...
... writing . It is obvious , then , that writing and discourse are objects entitled to the highest attention . Whether the influence of the speaker , or the entertainment of the hearer , be consulted ; whether utility or pleasure be the ...
Página 11
... writing , to address the public . For without being master of those attainments , no man can do justice to his own conceptions ; but how rich soever he may be in knowledge and in good sense , will be able to avail himself less of those ...
... writing , to address the public . For without being master of those attainments , no man can do justice to his own conceptions ; but how rich soever he may be in knowledge and in good sense , will be able to avail himself less of those ...
Página 32
... writing , which shall be the subject of a following lecture . I distinguish these two things from one another , the gran- deur of the objects themselves when they are presented to the eye , and the description of that grandeur in ...
... writing , which shall be the subject of a following lecture . I distinguish these two things from one another , the gran- deur of the objects themselves when they are presented to the eye , and the description of that grandeur in ...
Página 37
... WRITING . HAVING treated of grandeur or sublimity in external objects , the way seems now to be cleared , for treating , with more advantage , of the descriptions of such objects ; or , of what is called the sublime in writing . Though ...
... WRITING . HAVING treated of grandeur or sublimity in external objects , the way seems now to be cleared , for treating , with more advantage , of the descriptions of such objects ; or , of what is called the sublime in writing . Though ...
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Lectures on Rhetoric and Belles Lettres ...: To Which Are Added, Copious ... Hugh Blair Sin vista previa disponible - 2019 |
Términos y frases comunes
action admit advantage Æneid agreeable ancient appear Aristotle attention beauty character chiefly Cicero circumstances comedy composition connexion considered critics Dean Swift degree Demosthenes dignity discourse distinct distinguished effect elegant eloquence employed English English language epic epic poem epic poetry expression fancy figures French genius give given grace Greek hearers Hence Homer ideas Iliad illustrated imagination imitation instance introduced Isocrates ject kind language lecture manner means ment metaphor mind modern moral narration nature never objects observed occasion orator ornament particular passage passion peculiar persons perspicuity pleasure poem poet poetical poetry principles proper propriety prose public speaking Quintilian racters reason remark follows render Roman rule scene sense sensible sentence sentiments sermons simplicity Sophocles sort sound speaker species speech style sublime syllables Tacitus taste tence thing thought Thucydides tion tragedy tropes unity verse Virgil Voltaire whole words writing
Pasajes populares
Página 40 - And he rode upon a cherub, and did fly: yea, he did fly upon the wings of the wind.
Página 466 - Man knoweth not the price thereof; neither is it found in the land of the living. The depth saith, It is not in me : and the sea saith, It is not with me.
Página 218 - Our sight is the most perfect and most delightful of all our senses. It fills the mind with the largest variety of ideas, converses with its objects at the greatest distance, and continues the longest in action without being tired or satiated with its proper enjoyments. The sense of feeling can indeed give us a notion of extension, shape, and all other ideas that enter at the eye, except colours ; but at the same time it is very much straitened and confined in its operations to the number, bulk,...
Página 180 - And it shall come to pass in the day that the Lord shall give thee rest from thy sorrow, and from thy fear, and from the hard bondage wherein thou wast made to serve.
Página 165 - I bridle in my struggling Muse with pain, That longs to launch into a nobler strain.
Página 44 - Commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appear'd Less than Arch-Angel ruin'd, and the excess Of glory obscured...
Página 188 - Whether the nymph shall break Diana's law, Or some frail China jar receive a flaw ; Or stain her honour, or her new brocade ; Forget her prayers, or miss a masquerade ; Or lose her heart, or necklace, at a ball ; Or whether Heaven has doom'd that Shock must fall.
Página 219 - It is this sense which furnishes the imagination with its ideas; so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.
Página 147 - Canst thou by searching find out God? canst thou find out the Almighty unto perfection? It is as high as heaven; what canst thou do? deeper than hell; what canst thou know? The measure thereof is longer than the earth, and broader than the sea.
Página 223 - He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows than another does in the possession. It gives him, indeed, a kind of property in every thing he sees, and makes the most rude uncultivated parts of nature administer to his pleasures: so that he looks upon the world, as it were, in another light, and discovers in it a multitude of charms that conceal themselves from the generality of mankind.