Tyb. I am for you. Rom. Gentle Mercutio, put thy rapier up. [Drawing. Mer. Come, Sir, your paffado. [Mer. and Tyb. fight. Rom. Draw, Benvolio- beat down their weaponsGentlemen for fhame, forbear this outrage Tybalt -Mercutio- the Prince exprefly hath good Mercutio. Mer. I am hurt A plague of both the houses! I am sped: Ben. What, art thou hurt? [Exit Tybalt, Mer. Ay, ay, a fcratch, a fcratch; marry, 'tis enough. Where is my page? go, villain, fetch a furgeon. Rom. Courage, man, the hurt cannot be much. morrow, and you Mer. No, 'tis not fo deep as a well, nor fo wide as a church-door, but 'tis enough, 'twill serve: ask for me to fhall find me a grave man. I am pepper'd, I warrant, for this world: a plague of both your houfes! What? a dog, a rat, a moufe, a cat, to fcratch a man to death? a braggart, a rogue, a villain, that fights by the book of arithmetick? why the devil came you between us? I was hurt under your arm. Rom. I thought all for the beft. Mer. Help me into fome house, Benvolio, Or I fhall faint; a plague o'both your houses! They have made worms-meat of me, I have it, and foundly too. Plague o' your houfes ! [Exe. Mer. Ben. Rom. This gentleman, the Prince's near allie, My very friend, hath got his mortal hurt In my behalf; my reputation ftain'd Enter Benvolio. Ben. O Romeo, Romeo, brave Mercutio's dead; That gallant fpirit hath afpir'd the clouds, Which too untimely dere difcorn the earth. Rom. This day's black fate on more days does de pend; This but begins the woe, others must end. Enter Tybalt. Ben. Here comes the furious Tybalt back again. And fire ey'd fury be my conduct now! Tyb. Thou, wretched boy, that didft confort him here, Shalt with him hence. Rom. This fhall determine that. Ben. Romeo, away, be gone: [They fight, Tybalt falls. The citizens are up, and Tybalt flain →→→→→ Stand not amaz'd; the Prince will doom thee death, Rom. O! I am fortune's fool. Ben. Why doft thou stay? Enter Citizens. [Exit Romeo. Cit. Which way ran he, that kill'd Mercutio? Cit. Up, Sir, go with me: I charge thee in the Prince's name, obey. Enter Prince, Montague, Capulet, their wives, &c. Prin. Where are the vile beginners of this fray? Ben. O noble Prince, I can discover all Th' unlucky manage of this fatal brawl: There lies the man flain by young Romeo, That flew thy kinfman brave Mercutio. La. Cap. La. Cap. Tybalt, my coufin! O my brother's child!Unhappy fight! alas, the blood is spill'd Of my dear kinfman Prince, as thou art true, Prin. Benvolio, who began this fray? Ben. Tybalt here flain, whom Romeo's hand did flay: ; With gentle breath, calm look, knees humbly bow'd, Hold, friends! friends, part! and, fwifter than his tongue, His agil arm beats down their fatal points, And 'twixt them rufhes; underneath whofe arm An envious thruft from Tybalt hit the life La. Cap. He is a kinfman to the Montague. Prin. Romeo flew him, he flew Mercutio; Who now the price of his dear blood doth owe. La. Mont. Not Romeo, Prince, he was Mercutio's friend; His fault concludes but what the law fhould end, The life of Tybalt. VOL. VII. Prin. And for that offence, Immediately we do exile him hence: I have an intereft in your hearts proceeding, That you fhall all repent the lofs of mine. I will be deaf to pleading and excufes, (2) [Exeunt. SCENE changes to an Apartment in Capulet's Jul. G Houfe a ALLOP apace, you fiery afooted steeds, As Phaeton, would whip you to the weft, Spread thy clofe curtain, love performing night, (22) Leap (21) Elfe, when he is found, that hour is bis laft] It is wonderful that Mr. Pope fhould retort the Want of Ear upon any body, and pass such an inharmonious unfcanning Verse in his own Ear: a Verfe, that cannot run off from the Tongue with any Cadence of Musick, the short and long Syllables stand so perverfely. We muft read, Elfe, when he's found, that Hour is his laft. འ། ་ Every diligent and knowing Reader of our Poet muft have observ'd, that Hour and Fire are almoft perpetually diffyllables in the pronounciation and Scanfion of his Verses. (22) Spread thy clofe Curtain, love-performing Night, That runaways Eyes may wink ;] What Runaways are these, whose Eyes Juliet is wishing to have ftopt? Macbeth, we may remember, makes an Invocation to Night, much in the fame Strain: Come, feeling Night, Scarf up the tender Eye of pitifull day, &c. So Fuliet here would have Night's Darkness obfcure the great Eye of the Day, the Sun; whom confidering in a poetical Light as Phoebus, drawn Leap to these arms, untalkt of and unfeen. Hood my unmann'd blood baiting in my cheeks, Come, night, come, Romeo! come, thou day in night! Come, gentle night; come, loving, black-brow'd night! To an impatient child that hath new robes, And may not wear them. O, here comes my nurse! Enter Nurfe with cords. And she brings news; and every tongue, that speaks Now, nurfe, what news? what haft thou there? Nurfe. Ay, ay, the cords. Jul. Ay me, what news? Why doft thou wring thy hands? Nurfe. Ah welladay, he's dead, he's dead, he's dead! drawn in his Carr with fiery-footed Steeds, and pofting thro' the Heav'ns, She very properly calls him, with regard to the Swiftnefs of his Courfe, the Runaway. In the like Manner our Poet speaks of the Night, in the Merchant of Venice. For the clafe Night doth play the Runaway. Mr. Warburton. |