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Memoirs of the Opera in Italy, France, Germany, and England, Volumen2
Vista completa - 1851
Memoirs of the Opera in Italy, France, Germany, and England, Volumen1
Vista completa - 1851
accompanied admiration afterwards appeared applause Arne arrived attention audience beautiful became brought called carried celebrated character charming chorus composer composition concerted considerable continued death delight died drama dramatic effect engaged England English equal excellence execution expression favour favourite feeling France French frequently friends gave genius German give given Gluck grace greatest heard interest Italian opera Italy kind Lady London Madame manager manner means melody merit Miss Mozart musician Naples nature never night obtained original Paris passages passion performed period person Piccini piece popularity possessed powers present principal produced received recitative remarkable reputation returned says scene season singer singing songs soon soprano spirit stage style success talents taste theatre tion took vocal voice whole written young
Página 70 - ... tis much that this contentious storm Invades us to the skin: so 'tis to thee; But where the greater malady is fix'd, The lesser is scarce felt. Thou'dst shun a bear; But if thy flight lay toward the roaring sea, Thou'dst meet the bear i
Página 2 - He began on it, and when he first mentioned it to Swift, the Doctor did not much like the project. As he carried it on, he showed what he wrote to both of us; and we now and then gave a correction, or a word or two of advice ; but it was wholly of his own writing.
Página 70 - But I will punish home: No, I will weep no more. In such a night To shut me out! Pour on; I will endure. In such a night as this! O Regan, Goneril! Your old kind father, whose frank heart gave all O, that way madness lies; let me shun that; No more of that.
Página 13 - Opera,' than it in reality ever had; for I do not believe that any man was ever made a rogue by being present at its representation. At the same time I do not deny that it may have some influence, by making the character of a rogue familiar, and in some degree pleasing." Then collecting himself, as it were, to give a heavy stroke: "There is in it such a labefactation of all principles, as may be injurious to morality.
Página 2 - We were all at the first night of it, in great uncertainty of the event; till we were very much encouraged by overhearing the Duke of Argyle, who sat in the next box to us, say, 'it will do — it must do! — I see it in the eyes of them!
Página 176 - Stentorian lungs, the effect was electricity itself, for the whole of the performers on the stage, and those in the orchestra, as if actuated by one feeling of delight, vociferated Bravo ! Bravo ! Maestro. Viva, viva, grande Mozart. Those in the orchestra I thought would never have ceased applauding, by beating the bows of their violins against the music desks. The little man acknowledged, by repeated obeisances, his thanks for the distinguished mark of enthusiastic applause bestowed upon him.
Página 3 - This was a good while before the first act was over, and so gave us ease soon ; for...
Página 14 - Let us take the Road. Hark! I hear the sound of Coaches! The hour of Attack approaches, To your Arms, brave Boys, and load. See the Ball I hold! Let the Chymists toil like Asses, Our fire their fire surpasses, And turns all our Lead to Gold.
Página 13 - OPERA, the gangs of robbers were evidently multiplied. Both these decisions are surely exaggerated. The play, like many others, was plainly written only to divert, without any moral purpose, and is therefore not likely to do good ; nor can it be conceived, without more speculation than life requires or admits, to be productive of much evil.