Ben Jonson's Antimasques: A History of Growth and DeclineAshgate, 1999 - 207 páginas Under the patronage of James I and then Charles I, Ben Jonson wrote no less than 28 court masques. Paying particular attention to the antimasque, Lesley Mickel discusses in detail those court entertainments which contributed significantly to the genre's evolution and development. Her approach is innovative in that she examines these works in relation to Jonson's poetry and dramatic works. This reveals some idea of the way in which Jonson perceived the relationship between satire and panegyric, as well as highlighting the related, if oppositional, views of state power which he expresses in the Roman plays and in the masques. |
Contenido
panegyric and the formation of | 26 |
masque and the historical myth | 63 |
the topicality of | 101 |
Derechos de autor | |
Otras 4 secciones no mostradas
Otras ediciones - Ver todas
Ben Jonson's Antimasques: A History of Growth and Decline Lesley Mickel Sin vista previa disponible - 2020 |
Ben Jonson's Antimasques: A History of Growth and Decline LESLEY. MICKEL Sin vista previa disponible - 2018 |
Términos y frases comunes
antimasque appears argued aspect assertion attempt audience authority Barriers Bartholomew Fair Beauty become Blackness celebration Chapter Charles chivalric masques claims classical clearly comic contemporary context court entertainment court masque criticism cultural demonstrate described developed dialectic discourse discussion dissent divine dominant drama earlier early effect Elizabethan emphasis Epigrams example expressed fact figures grotesque Henry historical ideal ideology implications important integrity interest involved ironic irony James James's Jonson Jonsonian King later lines literary London Love masque's meaning monarch moral myth nature Oberon Orgel panegyric peace performed perhaps plays poem poet poetic poetry political position praise present Press Prince produce Queen question reading reference relation Renaissance represents reveals rhetorical role Roman royal satire seems seen significant social stage status strategy Strong structure Stuart suggests symbolic traditional Triumph University values virtue writes