Landscape Painting and Modern Dutch Artists, by E. B. Greenshields ...Baker & Taylor Company, 1906 - 229 páginas |
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Página xiv
... so from the observer's position we come again to the subjective view of art . This view finds its latest expression in the paintings of the seven Dutch artists to whom I specially refer in this book . I have known xiv PREFACE.
... so from the observer's position we come again to the subjective view of art . This view finds its latest expression in the paintings of the seven Dutch artists to whom I specially refer in this book . I have known xiv PREFACE.
Página 3
... expressing these feelings , while asserting the possibility of doing so , in the following in- teresting way : " The range of human thoughts " Essay on and emotions greatly transcends the range of Virgil " in such symbols as man has ...
... expressing these feelings , while asserting the possibility of doing so , in the following in- teresting way : " The range of human thoughts " Essay on and emotions greatly transcends the range of Virgil " in such symbols as man has ...
Página 15
... expression to all the varying effects of sunshine , its sparkle in the early morning dew , its dazzling midday radiance on the water , its rosy hues towards evening . For this , and the beauty and origi- nality of his work , if one ...
... expression to all the varying effects of sunshine , its sparkle in the early morning dew , its dazzling midday radiance on the water , its rosy hues towards evening . For this , and the beauty and origi- nality of his work , if one ...
Página 22
... expression of the subjective view of landscape painting . It will thus be seen that the men who have had the most powerful influence on landscape art are Claude , Ruysdael , Constable , Turner , and Corot . They were all original and ...
... expression of the subjective view of landscape painting . It will thus be seen that the men who have had the most powerful influence on landscape art are Claude , Ruysdael , Constable , Turner , and Corot . They were all original and ...
Página 36
... expression they have given their views to the world . They believe that great art is ideal and subjective , and that nature is changed as its varied scenes pass through the alembic of the artist's imagination ere he bodies them forth on ...
... expression they have given their views to the world . They believe that great art is ideal and subjective , and that nature is changed as its varied scenes pass through the alembic of the artist's imagination ere he bodies them forth on ...
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Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm Claude clouds colour composition Constable Corot County Guy Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Fromentin expression feeling figurative arts figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch James Maris Johannes Bosboom John Ruskin Josef Israels knowledge land landscape art landscape painting light living look masters Matthew Maris ment Millet mind modern Dutch moods mystery nature never Nicolas Poussin painter perfect PLATE poetical poetry poets produced realistic REESE LIBRARY Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical TH UNIVERSITY CALIFORNIA things thou thought Tintoretto tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder
Pasajes populares
Página 87 - For I have learned To look on nature, not as in the hour Of thoughtless youth : but hearing oftentimes The still, sad music of humanity; Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused. Whose dwelling is the light of setting suns. And the round ocean and the living air, And the blue sky, and in the mind of man...
Página 85 - Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life whose fountains are within.
Página 144 - There was the Door to which I found no Key; There was the Veil through which I might not see: Some little talk awhile of ME and THEE There was — and then no more of THEE and ME.
Página 102 - The sea is calm tonight. The tide is full, the moon lies fair Upon the straits: — on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay.
Página 94 - I gazed— and gazed— but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
Página 104 - But man dieth, and wasteth away : Yea, man giveth up the ghost, and where is he ? As the waters fail from the sea, And the flood decayeth and drieth up : So man lieth down, and riseth not. Till the heavens be no more, they shall not awake, Nor be raised out of their sleep.
Página 86 - O happy living things! no tongue Their beauty might declare: A spring of love gushed from my heart, And I blessed them unaware: Sure my kind saint took pity on me, And I blessed them unaware.
Página 85 - O Lady ! we receive but what we give, And in our life alone does Nature live; Ours is her wedding-garment, ours her shroud ! And would we aught behold, of higher worth, Than that inanimate cold world allowed To the poor loveless ever-anxious crowd, Ah ! from the soul itself must issue forth A light, a glory, a fair luminous cloud Enveloping the Earth...
Página 176 - I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God...
Página 104 - For there is hope of a tree, if it be cut down, that it will sprout again, and that the tender branch thereof will not cease.