Landscape Painting and Modern Dutch Artists, by E. B. Greenshields ...Baker & Taylor Company, 1906 - 229 páginas |
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Página 23
... WHISTLER in his customary brilliant style has stated the theory that there is no such thing as a national art , but that all art is purely personal to the individuality of the artist , and has nothing to do with his environ- ment , or ...
... WHISTLER in his customary brilliant style has stated the theory that there is no such thing as a national art , but that all art is purely personal to the individuality of the artist , and has nothing to do with his environ- ment , or ...
Página 24
... Whistler holds that it is the individual she stays with and inspires , and when he passes away she sadly departs ... Whistler's theory that nothing is of importance 24 LANDSCAPE PAINTING.
... Whistler holds that it is the individual she stays with and inspires , and when he passes away she sadly departs ... Whistler's theory that nothing is of importance 24 LANDSCAPE PAINTING.
Página 25
E. B. Greenshields, John Ruskin. not bear out Whistler's theory that nothing is of importance except the temperament of the artist . It shows , on the contrary , that there are times in the lives of nations when a genuine and general ...
E. B. Greenshields, John Ruskin. not bear out Whistler's theory that nothing is of importance except the temperament of the artist . It shows , on the contrary , that there are times in the lives of nations when a genuine and general ...
Página 50
... Whistler speaks as if what he calls . the painter quality were the only really great thing in art , it is evident to anyone who has seen those strangely personal nocturnes which PLATE XIV . - Potato Gatherers . Anton Mauve . 50 ...
... Whistler speaks as if what he calls . the painter quality were the only really great thing in art , it is evident to anyone who has seen those strangely personal nocturnes which PLATE XIV . - Potato Gatherers . Anton Mauve . 50 ...
Página 50
E. B. Greenshields, John Ruskin. PLATE XIV . - Potato Gatherers . Anton Mauve . REESE LIDIA OF THE UNIVERSITY CALIFORNIA O'Clock . " Whistler.
E. B. Greenshields, John Ruskin. PLATE XIV . - Potato Gatherers . Anton Mauve . REESE LIDIA OF THE UNIVERSITY CALIFORNIA O'Clock . " Whistler.
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Landscape Painting and Modern Dutch Artists E. B. Greenshields,John Addington Symonds Vista completa - 1906 |
Términos y frases comunes
admiration Anton Mauve appear atmosphere Barbizon school beautiful Bosboom canvas cattle century CHAPTER charm Claude clouds colour composition Constable Corot County Guy Delacroix drawing dream Dutch artists effect Emerson Essay Eugène Fromentin expression feeling figurative arts figure genius give Hamerton heart Holland ideal ideas imagination imitation impression inspired J. F. Millet J. H. Weissenbruch James Maris Johannes Bosboom John Ruskin Josef Israels knowledge land landscape art landscape painting light living look masters Matthew Maris ment Millet mind modern Dutch moods mystery nature never Nicolas Poussin painter perfect PLATE poetical poetry poets produced realistic REESE LIBRARY Rembrandt render Rubens Ruskin Ruysdael scene seen shows skies skill spirit sympathy technical TH UNIVERSITY CALIFORNIA things thou thought Tintoretto tion Titian trees true truth ture Turner W. E. Henley Whistler William Maris wonder
Pasajes populares
Página 87 - For I have learned To look on nature, not as in the hour Of thoughtless youth : but hearing oftentimes The still, sad music of humanity; Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused. Whose dwelling is the light of setting suns. And the round ocean and the living air, And the blue sky, and in the mind of man...
Página 85 - Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life whose fountains are within.
Página 144 - There was the Door to which I found no Key; There was the Veil through which I might not see: Some little talk awhile of ME and THEE There was — and then no more of THEE and ME.
Página 102 - The sea is calm tonight. The tide is full, the moon lies fair Upon the straits: — on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay.
Página 94 - I gazed— and gazed— but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
Página 104 - But man dieth, and wasteth away : Yea, man giveth up the ghost, and where is he ? As the waters fail from the sea, And the flood decayeth and drieth up : So man lieth down, and riseth not. Till the heavens be no more, they shall not awake, Nor be raised out of their sleep.
Página 86 - O happy living things! no tongue Their beauty might declare: A spring of love gushed from my heart, And I blessed them unaware: Sure my kind saint took pity on me, And I blessed them unaware.
Página 85 - O Lady ! we receive but what we give, And in our life alone does Nature live; Ours is her wedding-garment, ours her shroud ! And would we aught behold, of higher worth, Than that inanimate cold world allowed To the poor loveless ever-anxious crowd, Ah ! from the soul itself must issue forth A light, a glory, a fair luminous cloud Enveloping the Earth...
Página 176 - I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God...
Página 104 - For there is hope of a tree, if it be cut down, that it will sprout again, and that the tender branch thereof will not cease.