...for But whoe'er can know, As the long days go, That to live is happy, hath found his Heaven. T)OETRT is not a turning loose of emotion, but -*- an escape...expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from...

...conscious, and conscious where he ought to be unconscious. Both errors tend to make him "personal." Poetry is not a turning loose of emotion, but an escape...expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from...

...conscious, and conscious where he ought to be unconscious. Both errors tend to make him "personal." Poetry is not a turning loose of emotion, but an escape...of personality, ..but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from...

...and, in working them into poetry, to express feelings which are not in actual emotions at all. . . . Poetry is not a turning loose of emotion, but an escape...expression of personality, but an escape from personality." We wish to find expressions of "significant emotion, emotion which has its life in the poet and not...

...conscious, and conscious where he ought to be unconscious. Both errors tend to make him "personal." Poetry is not a turning loose of emotion, but an escape...expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from...

...impersonality without surrendering himself wholly to the work to be done" (Adams 787). Eliot's statement that "Poetry is not a turning loose of emotion, but an...expression of personality, but an escape from personality" (Adams 787) is essentially the same as Barthes' proposition that "...writing is the destruction of...

...ought to be conscious, and conscious when he ought to be unconscious. Both errors make him "personal." Poetry is not a turning loose of emotion, but an escape...expression of personality, but an escape from personality. (TS Eliot) II. Translate ONE of the following into English retaining as much of both the sense and...

...on the difference between art and event and speaks of emotion as being "transmuted" (75). He says, "Poetry is not a turning loose of emotion, but an...emotion; it is not the expression of personality, but escape from personality" (76). The tradition Eliot speaks of is collectivized and universalized just...

...amaze," meaning bewilder or confound themselves. In the end, the poem reposes on reposeless repose. "Poetry is not a turning loose of emotion, but an escape from emotion," Eliot said in "Tradition and the Individual Talent."19 One way of escaping from an emotion is by finding...

...or technique. As Eliot put it in his influential essay "Tradition and the Individual Talent" (1921), poetry "is not a turning loose of emotion, but an...expression of personality, but an escape from personality." Eliot's statement may seem to exaggerate the modernist requirement that poets avoid emotionalism and...