Essays on the Nature and Principles of Taste, Volumen2George Ramsay, 1815 |
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Página 13
... Forms which have been selected by Sculptors for embellish- ment or ornament , by Painters for the ef- fect of landscape , by Poets for description or allusion , are all such as have some deter OF THE MATERIAL WORLD . 13.
... Forms which have been selected by Sculptors for embellish- ment or ornament , by Painters for the ef- fect of landscape , by Poets for description or allusion , are all such as have some deter OF THE MATERIAL WORLD . 13.
Página 38
... Painter's pallet , or in a book of patterns , we say there is no Beauty , because there is no Relation . What then is the relation 4 7 . which is necessary to constitute beautiful Composition ? It 38 SUBLIMITY AND BEAUTY.
... Painter's pallet , or in a book of patterns , we say there is no Beauty , because there is no Relation . What then is the relation 4 7 . which is necessary to constitute beautiful Composition ? It 38 SUBLIMITY AND BEAUTY.
Página 87
... Painter and Sculptor , for in- stance , had advanced so far in their Art , as to be able to imitate exactly the Form of the human Body , it could not well be long before they applied themselves to particular imitations of it . Some ...
... Painter and Sculptor , for in- stance , had advanced so far in their Art , as to be able to imitate exactly the Form of the human Body , it could not well be long before they applied themselves to particular imitations of it . Some ...
Página 88
... Painter or the Sculptor , could alone sup- ply this want ; he would endeavour by de- grees , therefore , to unite the Beauty of Form with the Beauty of Expression ; and would thus gradually ascend to the con- ception of Ideal Beauty ...
... Painter or the Sculptor , could alone sup- ply this want ; he would endeavour by de- grees , therefore , to unite the Beauty of Form with the Beauty of Expression ; and would thus gradually ascend to the con- ception of Ideal Beauty ...
Página 103
... general Beauty ; to realize whatever the fancy of the Painter has imagined , and to create a scenery , more pure , more harmonious , and more expressive , than any that is to be found in Nature it . OF THE MATERIAL World . 103.
... general Beauty ; to realize whatever the fancy of the Painter has imagined , and to create a scenery , more pure , more harmonious , and more expressive , than any that is to be found in Nature it . OF THE MATERIAL World . 103.
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Términos y frases comunes
2dly accordingly admiration affect amid appearances apprehend arises Artist ascer attitude or gesture Beau beautiful Form Beauty of Forms Beauty of Proportion Beauty or Sublimity cause Colours common Complexion Composition considered constitution contrary correspondence degree dispositions of mind distinguished Dress duction Emotion of Beauty Entablature experience expres Expression of Design Expression of Fitness feel felt as beautiful Gaiety gestures or attitudes Human Countenance Human Form illustrations imitation kind language lours mankind manner Melan melancholy ment Motion nance nature neral ness objects observation obvious opinion original Beauty ornaments painful Painter passions peculiar perceive perfect conception perhaps permanently beautiful pleasing or interesting pleasure portions pression principle produced propriety racter readers regard Regularity relation rience riety scenery scenes seems sense sensible sentiment of Beauty significant sion species sufficient susceptible Taste tiful tion tural ture Uniformity and Variety weight youth