Charting Shakespearean Waters: Text and TheatreNiels Bugge Hansen, Søs Haugaard Museum Tusculanum Press, 2005 - 164 páginas Charting Shakespearean Waters: Text and Theatre contains 11 wide-ranging essays on different plays and demonstrate a lively interest in Shakespeare: Shakespeare as text and Shakespeare as theatre; Shakespeare in his age and Shakespeare through the ages. These papers deal with contemporary contexts (Pericles and navigation; A Midsummer Night's Dream and Elizabethan household theatre); tradition, genre and a dialogic approach to Troilus and Cressida; language and style in Henry the Fourth Part One, and in the Sonnets; performance (past and present productions of Hamlet and Macbeth); translation (As You Like It) and modern appropriation (The Tempest). Angles on the English-Speaking World is published once a year and is intended as a lively forum for a broad range of literary, linguistic, cultural and historical studies from various theoretical standpoints. |
Dentro del libro
Resultados 1-3 de 16
Página 115
... authority and validity , hitherto governing selection and control over a given canon , had ceased to be operative . As was the case in Greifswald in 1964 , the theatre itself challenged the politics of canonization through which the ...
... authority and validity , hitherto governing selection and control over a given canon , had ceased to be operative . As was the case in Greifswald in 1964 , the theatre itself challenged the politics of canonization through which the ...
Página 117
... authority . But what has less often been noticed is that such textual authority was theatrically used to ensure unity between performer and performed . The notion of textual authority sanctioned by the ' aims ' or ' intentions ' of the ...
... authority . But what has less often been noticed is that such textual authority was theatrically used to ensure unity between performer and performed . The notion of textual authority sanctioned by the ' aims ' or ' intentions ' of the ...
Página 118
... authority , and representation in terms of Shakespeare's textual and theatrical practices , initiated during the Weimar Society conference of 1983 , was a surprisingly unorthodox move ; most likely , it was among the earliest , if it ...
... authority , and representation in terms of Shakespeare's textual and theatrical practices , initiated during the Weimar Society conference of 1983 , was a surprisingly unorthodox move ; most likely , it was among the earliest , if it ...
Contenido
Editors Preface | 7 |
Tom Pettitt | 31 |
Dorrit Einersen | 45 |
Derechos de autor | |
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Charting Shakespearean Waters: Text and Theatre Niels Bugge Hansen,Søs Haugaard Vista previa limitada - 2005 |
Términos y frases comunes
action actor Apollonius appears appropriation Ariel asks audience authority beauty become blood called Cambridge century changed characters continues Copenhagen course critical cultural death direction discourse discussion dramatic Dream early modern East German edition effect Elizabethan English essays eyes fear give given Greece Greek Hamlet hand household idea imagined included interest interlude John journey Juliet kind King known Lady leaves lines London Macbeth marks meaning narrative narrator nature never night Notes opening Oxford Pandarus Pentapolis performance perhaps Pericles play poem poet political possible present production Prologue question reason reference revels rhetoric role says scene seems seen sense Shakespeare silence soil Sonnet speak speech stage story suggest Tempest theatre thought tradition translation Troilus and Cressida true turn University Press voice writing written young