LORD THURLOW. ["Poems on Several Occasions." 1813.] SINCE all I see, (and all I see is fair,) But springs from Jove, who is the source of all, And so of kindred with Olympus' air, But images what thence divine we call; No fear there is, that, when my thread is spun, My golden thread, for love appoints it so, My heart with this soft passion should have done, Which ending, in Olympus would be woe: For since this beauty is but type of thee, And Nature but the mirror of thy love, Which oft the Angels may descend to see, And find well pictured from their bliss above, Thy memory in that immortal air, All sights will keep, as in it's budding, fair. Thy love is to my heart a boundless store Of soft affection, which to love is near, And those, that I have never prized before, For thy dear sake are now to me most dear; Thy kindred, and thy friends, whose matchless worth, As lost in darkness, were to me unknown, By pure example light my path on Earth, And by their virtues my defects are shown: Then may I so improve the boundless grace, Which from the marble air to me is sent, That in my soul pure honour may have place, For perfect in thyself thou art I see, I think you are the prophet of the Spring, And yet the thought, that I have seen you then, Again to seek you in the walks of men, Of joy and grief, of evil and of good. I called you, and too well these names you grace, The World's divine, and merest paragon, The violet, to whom all plants are base, The star, that is but joy to look upon: And are you not without compare the gem, And the fair eyes of their true subjects bless? THOMAS MOORE. 1779-1852. ["Irish Melodies." 1813-14.] BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS. BELIEVE me, if all those endearing young charms, Were to change by to-morrow, and fleet in my arms, Thou wouldst still be adored, as this moment thou art, And around the dear ruin each wish of my heart It is not while beauty and youth are thine own, As the sun-flower turns on her god, when he sets, I SAW THY FORM IN YOUTHFUL PRIME. I saw thy form in youthful prime, Nor thought that pale decay Would steal before the steps of Time, And waste its bloom away, Mary! Yet still thy features wore that light, Which fleets not with the breath; And life ne'er looked more truly bright Than in thy smile of death, Mary! As streams that run o'er golden mines, Nor seem to know the wealth that shines So veiled beneath the simplest guise, And that, which charmed all other eyes, If souls could always dwell above, We ne'er had lost thee here, Mary! To live with them is far less sweet LESBIA HATH A BEAMING EYE. Lesbia hath a beaming eye, But no one knows for whom it beameth; Right and left its arrows fly, But what they aim at no one dreameth. Sweeter 't is to gaze upon My Nora's lid that seldom rises; Few its looks, but every one, Like unexpected light, surprises! O, my Nora Creina, dear, My gentle, bashful Nora Creina, In many eyes, But Love in yours, my Nora Creina. Lesbia wears a robe of gold, But all so close the nymph hath laced it, Not a charm of beauty's mould Presumes to stay where Nature placed it. O, my Nora's gown for me, That floats as wild as mountain breezes, Leaving every beauty free To sink or swell as Heaven pleases. Yes, my Nora Creina dear, Is loveliness, The dress you wear, my Nora Creina. Lesbia hath a wit refined, But, when its points are gleaming round us, Who can tell if they're designed To dazzle merely, or to wound us? Pillowed on my Nora's heart In safer slumbers Love reposes; Bed of peace! whose roughest part Hath no such light, As warms your eyes, my Nora Creina. |