A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Resultados 1-3 de 18
Página 181
... turning point in the Abbey Theatre and in much else in the drama . For when O'Casey submitted it to Yeats he rejected it and Lady Gregory agreed with ... turned down that the Abbey rejected Denis English Drama in the Twentieth Century 181.
... turning point in the Abbey Theatre and in much else in the drama . For when O'Casey submitted it to Yeats he rejected it and Lady Gregory agreed with ... turned down that the Abbey rejected Denis English Drama in the Twentieth Century 181.
Página 182
... turned into drama . Much in the theatre of the ' twenties and the ' thirties is ephemeral ; it was not worth doing at the time and is not likely to be remembered . It is surprising what skilled actors can make of incompetent scripts ...
... turned into drama . Much in the theatre of the ' twenties and the ' thirties is ephemeral ; it was not worth doing at the time and is not likely to be remembered . It is surprising what skilled actors can make of incompetent scripts ...
Página 198
... turned into films , the rewards are very large indeed . Such has it been with Osborne . Not for him the Shakespearian conditions that exact two plays a year . One can only hope that some period of readjustment will be effected for he ...
... turned into films , the rewards are very large indeed . Such has it been with Osborne . Not for him the Shakespearian conditions that exact two plays a year . One can only hope that some period of readjustment will be effected for he ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote