A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 82
... theme again follows French history . The plot , like that of Coriolanus , is the story of a proud and ambitious man . It is as if Chapman had looked back at the figure of Tamburlaine and contemplated the whole theme of power again , but ...
... theme again follows French history . The plot , like that of Coriolanus , is the story of a proud and ambitious man . It is as if Chapman had looked back at the figure of Tamburlaine and contemplated the whole theme of power again , but ...
Página 143
... theme had been theatrically successful . Shelley's The Cenci ( published , Leghorn , 1819 ; London , 1821 ) is the most notable dramatic achievement of the romantic poets of his period , and , if the incestuous theme had not been so ...
... theme had been theatrically successful . Shelley's The Cenci ( published , Leghorn , 1819 ; London , 1821 ) is the most notable dramatic achievement of the romantic poets of his period , and , if the incestuous theme had not been so ...
Página 189
... theme , closely adapted to his interests , but an audience that was alert , intelligent and sympathetic . So he came to write Murder in the Cathedral ( 1935 ) , for performance in the Chapter House of Canterbury Cathedral . This remains ...
... theme , closely adapted to his interests , but an audience that was alert , intelligent and sympathetic . So he came to write Murder in the Cathedral ( 1935 ) , for performance in the Chapter House of Canterbury Cathedral . This remains ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote