A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 50
... suggested , remain the same , namely that passion is not guided or controlled by reason and that men in a state of passion are false to themselves and others . The whole is conducted in an atmosphere of exaggerated sentiment and improb ...
... suggested , remain the same , namely that passion is not guided or controlled by reason and that men in a state of passion are false to themselves and others . The whole is conducted in an atmosphere of exaggerated sentiment and improb ...
Página 195
... suggested that they posed the questions in a logical or systematic way for , indeed , as the title of Osborne's Look Back in Anger suggests , their approach was highly emotional . Yet their attitude is capable of a rational definition ...
... suggested that they posed the questions in a logical or systematic way for , indeed , as the title of Osborne's Look Back in Anger suggests , their approach was highly emotional . Yet their attitude is capable of a rational definition ...
Página 203
... suggested that he was also in- fluenced variously by Sartre and Brecht and particularly by Ionesco . But though ... suggests that it is ' more flexible and mobile ' than any other medium . In speaking of his sound radio play The Dwarfs ...
... suggested that he was also in- fluenced variously by Sartre and Brecht and particularly by Ionesco . But though ... suggests that it is ' more flexible and mobile ' than any other medium . In speaking of his sound radio play The Dwarfs ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote