A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 133
... success The Distressed Mother . The first four acts are little more than a translation of Racine's Andromaque , and after this Philips contrives a sentimental ending . Both Steele and Addison helped to give the play its popu- larity and ...
... success The Distressed Mother . The first four acts are little more than a translation of Racine's Andromaque , and after this Philips contrives a sentimental ending . Both Steele and Addison helped to give the play its popu- larity and ...
Página 166
... success , as did the film based on the play and produced by Tony Richardson . It was followed in 1957 by The Entertainer which was again a great commercial success . The merits of these and other plays of this new movement are discussed ...
... success , as did the film based on the play and produced by Tony Richardson . It was followed in 1957 by The Entertainer which was again a great commercial success . The merits of these and other plays of this new movement are discussed ...
Página 207
... success in the commercial theatre to a degree that is puzzling . Meanwhile the commercial theatre has continued . Among those who have served it with much skill and success has been Terence Rattigan ( b . 1911 ) . He began with a successful ...
... success in the commercial theatre to a degree that is puzzling . Meanwhile the commercial theatre has continued . Among those who have served it with much skill and success has been Terence Rattigan ( b . 1911 ) . He began with a successful ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote