A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 39
Página 21
... story of which the most important fact remains that while at the beginning of the Dark Ages the Church attempted to ... story , such as those of the Birth and Resurrection of Christ . For instance , two groups of voices would sing , the ...
... story of which the most important fact remains that while at the beginning of the Dark Ages the Church attempted to ... story , such as those of the Birth and Resurrection of Christ . For instance , two groups of voices would sing , the ...
Página 44
... story is taken from Cinthio , from whom Shakespeare derived the plot of Othello , but it is softened , made romantic and transferred to Scotland where it is given a pseudo - historical setting . To this are added fairy interludes of ...
... story is taken from Cinthio , from whom Shakespeare derived the plot of Othello , but it is softened , made romantic and transferred to Scotland where it is given a pseudo - historical setting . To this are added fairy interludes of ...
Página 59
... story and becomes involved , and indeed more interested , in the Achilles and Ajax theme . The Cressida story he found frus- trating . If the lady is to be treated with any sympathy her career must be related in the values of honour as ...
... story and becomes involved , and indeed more interested , in the Achilles and Ajax theme . The Cressida story he found frus- trating . If the lady is to be treated with any sympathy her career must be related in the values of honour as ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote