A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 70
Página 55
... seems to lead back to the diffuse methods of Henry VI , but the characters are now far more strongly presented and Shakespeare himself seems to be feeling his way through to some new conception . He has so developed the character of the ...
... seems to lead back to the diffuse methods of Henry VI , but the characters are now far more strongly presented and Shakespeare himself seems to be feeling his way through to some new conception . He has so developed the character of the ...
Página 73
... seems to have enjoyed these lighter exercises , and in their ' bodily part ' he was fortunate in having the collaboration of Inigo Jones . Already in 1605 he had contrived the Masque of Blackness in which the Queen and her ladies had ...
... seems to have enjoyed these lighter exercises , and in their ' bodily part ' he was fortunate in having the collaboration of Inigo Jones . Already in 1605 he had contrived the Masque of Blackness in which the Queen and her ladies had ...
Página 201
... seem to advance from one success to something that is more profound . There may be no single reason for this , but it is in various ways true to Eliot and Fry and for a time it seemed true of Osborne . Sometimes it seems to arise from a ...
... seem to advance from one success to something that is more profound . There may be no single reason for this , but it is in various ways true to Eliot and Fry and for a time it seemed true of Osborne . Sometimes it seems to arise from a ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote