A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 31
... revived later by Ben Jonson in Sejanus and in Catiline . Meanwhile the English chronicle play had shown a parallel devel- opment with Senecan tragedy , though largely independent of it . Senecan tragedy was European while the chronicle ...
... revived later by Ben Jonson in Sejanus and in Catiline . Meanwhile the English chronicle play had shown a parallel devel- opment with Senecan tragedy , though largely independent of it . Senecan tragedy was European while the chronicle ...
Página 177
... revived , is to realize that they belong to a mood which is strange and repellent to the ' sixties . They are part of a lost world of kindliness and of more gentle emotions ; they are shot through with sentimentality , which in its less ...
... revived , is to realize that they belong to a mood which is strange and repellent to the ' sixties . They are part of a lost world of kindliness and of more gentle emotions ; they are shot through with sentimentality , which in its less ...
Página 185
... revived , would stand the test . Usually Bridie's imagination sought more unusual themes , and in these he was most successful in the miracle play plot of Tobias and the Angel ( 1931 ) ; this proved popular and was frequently revived ...
... revived , would stand the test . Usually Bridie's imagination sought more unusual themes , and in these he was most successful in the miracle play plot of Tobias and the Angel ( 1931 ) ; this proved popular and was frequently revived ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote