A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
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Página 44
... returned to the early tradition of the dramatic employment of a religious theme , but the play has little to commend it though the verse is well managed . By far the most original of Peele's plays was The Old Wives Tale , performed ...
... returned to the early tradition of the dramatic employment of a religious theme , but the play has little to commend it though the verse is well managed . By far the most original of Peele's plays was The Old Wives Tale , performed ...
Página 62
... returned as a major theme and the woman is given a role equal at least to that of the male protagonist . So widespread are the scenes and so numerous that it would seem at first that Shakespeare was returning to the method of the ...
... returned as a major theme and the woman is given a role equal at least to that of the male protagonist . So widespread are the scenes and so numerous that it would seem at first that Shakespeare was returning to the method of the ...
Página 103
... returning victorious from the wars , will not let his sister , Penthea , marry her lover Orgilus but forces on her Bassanes a ... returned to London where his plays were still popular , though he did not add to their number John Webster ...
... returning victorious from the wars , will not let his sister , Penthea , marry her lover Orgilus but forces on her Bassanes a ... returned to London where his plays were still popular , though he did not add to their number John Webster ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote