A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 14
... already been subjected in Elizabethan times , and this has remained as an atmosphere , though in a very modified form , until the present day . With the Restoration the theatre discovered in Charles II a 14 A Short History of English Drama.
... already been subjected in Elizabethan times , and this has remained as an atmosphere , though in a very modified form , until the present day . With the Restoration the theatre discovered in Charles II a 14 A Short History of English Drama.
Página 29
... remained . Greek drama was religious in origin and the speeches were governed and disciplined by that consideration . In Seneca that religious element had disappeared , and the long , declamatory speeches remained shorn of their ...
... remained . Greek drama was religious in origin and the speeches were governed and disciplined by that consideration . In Seneca that religious element had disappeared , and the long , declamatory speeches remained shorn of their ...
Página 58
... remained a puzzle ever since . Like King John it is a play in which Shakespeare is breaking through to a new dramatic vision . At times , as in Ulysses's speech on ' degree ' , it has some of the most illuminating passages that he wrote ...
... remained a puzzle ever since . Like King John it is a play in which Shakespeare is breaking through to a new dramatic vision . At times , as in Ulysses's speech on ' degree ' , it has some of the most illuminating passages that he wrote ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote