A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
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Página 172
... produced his Justice in 1910 ' . All assessment of work that has been produced in one's own lifetime is difficult , but the attempt here is made , with as much objectivity as is possible , to deal with the plays of the last sixty years ...
... produced his Justice in 1910 ' . All assessment of work that has been produced in one's own lifetime is difficult , but the attempt here is made , with as much objectivity as is possible , to deal with the plays of the last sixty years ...
Página 177
... produced a great variety of drama . With Peter Pan ( 1904 ) he invented a new child's mythology . To see his plays now , and they are occasionally revived , is to realize that they belong to a mood which is strange and repellent to the ...
... produced a great variety of drama . With Peter Pan ( 1904 ) he invented a new child's mythology . To see his plays now , and they are occasionally revived , is to realize that they belong to a mood which is strange and repellent to the ...
Página 180
... produced . While Synge's contribution was outstanding , the Irish theatre produced other playwrights of merit . Lennox Robinson , the author of a number of plays , captured the London stage with his comedy The White - Headed Boy in 1916 ...
... produced . While Synge's contribution was outstanding , the Irish theatre produced other playwrights of merit . Lennox Robinson , the author of a number of plays , captured the London stage with his comedy The White - Headed Boy in 1916 ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote