A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
Resultados 1-3 de 21
Página 39
... ( possibly as early as 1586 ) ; Dr Faustus ( once dated about 1588 , but possibly later , about 1592 ) ; The Jew of Malta ( about 1589 ) ; Edward II ( 1592 ) ; Dido , Queen of Carthage ( 1593 ) and The Massacre of Paris ( 1593 ) ...
... ( possibly as early as 1586 ) ; Dr Faustus ( once dated about 1588 , but possibly later , about 1592 ) ; The Jew of Malta ( about 1589 ) ; Edward II ( 1592 ) ; Dido , Queen of Carthage ( 1593 ) and The Massacre of Paris ( 1593 ) ...
Página 111
... possibly as early as 1659 ) ; The Gentleman Dancing - Master ( 1672 , written possibly by 1662 ) ; The Country Wife ( 1675 ) ; The Plain Dealer ( 1676 , written in part possibly as early as 1666 and revised before production ) The ...
... possibly as early as 1659 ) ; The Gentleman Dancing - Master ( 1672 , written possibly by 1662 ) ; The Country Wife ( 1675 ) ; The Plain Dealer ( 1676 , written in part possibly as early as 1666 and revised before production ) The ...
Página 157
... possibly because he had a certain physical fastidiousness , which amounted almost to a fear of any world which could not be con- trolled by his own thought . His brilliance of dialogue sometimes led him beyond the bounds of dramatic ...
... possibly because he had a certain physical fastidiousness , which amounted almost to a fear of any world which could not be con- trolled by his own thought . His brilliance of dialogue sometimes led him beyond the bounds of dramatic ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote