A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 85
... poetic view of the world , of a cruel , diseased , lecherous , revengeful world , from which there is no escape , and in the ... poet whose imagination is poisoned by the sense of universal vanity and corruption , but who lights up this ...
... poetic view of the world , of a cruel , diseased , lecherous , revengeful world , from which there is no escape , and in the ... poet whose imagination is poisoned by the sense of universal vanity and corruption , but who lights up this ...
Página 179
... poet to have written in England throughout the modern period . In his plays , he probably remained a lyrical poet even in the theatre , and audiences are likely to enjoy The Land of Heart's Desire ( 1894 ) , The Countess Cathleen ( 1899 ) ...
... poet to have written in England throughout the modern period . In his plays , he probably remained a lyrical poet even in the theatre , and audiences are likely to enjoy The Land of Heart's Desire ( 1894 ) , The Countess Cathleen ( 1899 ) ...
Página 191
... poetic drama might be restored . Both the succeeding plays have considerable dramatic skill and knowledge of how to handle ... poet of great lyric power , and a number of these pieces are not affected by his political loyalties . He had ...
... poetic drama might be restored . Both the succeeding plays have considerable dramatic skill and knowledge of how to handle ... poet of great lyric power , and a number of these pieces are not affected by his political loyalties . He had ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote