A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 54
... language to which they belong . In Benedick and Beatrice , who are the critics of romantic sentiment , Shakespeare gives a depth and penetration of character stronger than anything in the comedy . Upon the general mood of light ...
... language to which they belong . In Benedick and Beatrice , who are the critics of romantic sentiment , Shakespeare gives a depth and penetration of character stronger than anything in the comedy . Upon the general mood of light ...
Página 60
... Language , parti- cularly in the use of imagery , gains an enhanced power , so that each of these tragedies has its own world of symbols and of verbal asso- ciations that serve as an imaginative accompaniment to the action . Above all ...
... Language , parti- cularly in the use of imagery , gains an enhanced power , so that each of these tragedies has its own world of symbols and of verbal asso- ciations that serve as an imaginative accompaniment to the action . Above all ...
Página 203
... language to show that language does not work . As John Bowen has written , 1 ' Mr Pinter's buses really run , his observation may be appalled but it is exact , ' and he adds that Pinter's characters use language ' as a cover for their ...
... language to show that language does not work . As John Bowen has written , 1 ' Mr Pinter's buses really run , his observation may be appalled but it is exact , ' and he adds that Pinter's characters use language ' as a cover for their ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote