A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 12
... interest in the drama was modified by his growing antagonism and natural hatred of the type of comedy popular in the Restoration theatre . When he wrote Samson Ago- nistes Milton was old , blind , had suffered arrest , and lived in ...
... interest in the drama was modified by his growing antagonism and natural hatred of the type of comedy popular in the Restoration theatre . When he wrote Samson Ago- nistes Milton was old , blind , had suffered arrest , and lived in ...
Página 133
... interest to the men of the Age of Reason . Abroad the phenomenon of a regular classical play composed by an Englishman must have been a motive of curiosity that increased interest . Despite Addison's success , while Shakespeare and the ...
... interest to the men of the Age of Reason . Abroad the phenomenon of a regular classical play composed by an Englishman must have been a motive of curiosity that increased interest . Despite Addison's success , while Shakespeare and the ...
Página 151
... interests . He was never a Marxist , but his mind was constantly stimulated by ideas ; socialism , religion , sex , medicine , vegetarianism , education , there was no aspect of human activity that he was not prepared to think out ...
... interests . He was never a Marxist , but his mind was constantly stimulated by ideas ; socialism , religion , sex , medicine , vegetarianism , education , there was no aspect of human activity that he was not prepared to think out ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote