A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
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Página 30
... influence on English tragedy is Latin and not Greek . In Italy , among the Renaissance writers most influenced by the Greeks , were Trissino and his followers , but in the forties of the sixteenth century a more popular dramatist on the ...
... influence on English tragedy is Latin and not Greek . In Italy , among the Renaissance writers most influenced by the Greeks , were Trissino and his followers , but in the forties of the sixteenth century a more popular dramatist on the ...
Página 33
... influence . The study of two Latin authors , of Plautus and Terence , gave to English comedy a sense of pattern which it had not previously possessed . This Latin influence was partly due to a number of schoolmasters who read Latin ...
... influence . The study of two Latin authors , of Plautus and Terence , gave to English comedy a sense of pattern which it had not previously possessed . This Latin influence was partly due to a number of schoolmasters who read Latin ...
Página 102
... influenced by Burton's The Ana- tomy of Melancholy . The play has the usual complexities of love intrigue , but it also has ... influence from Burton's The Anatomy of Melancholy . The play now seems inconsistent , complex and not fully ...
... influenced by Burton's The Ana- tomy of Melancholy . The play has the usual complexities of love intrigue , but it also has ... influence from Burton's The Anatomy of Melancholy . The play now seems inconsistent , complex and not fully ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote