A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 67
... humours ' . This conception was partly medieval , and in part an Elizabethan fashion . In Latin comedy each character belonged to a recognizable type , and maintained throughout certain well - defined attributes . This static conception ...
... humours ' . This conception was partly medieval , and in part an Elizabethan fashion . In Latin comedy each character belonged to a recognizable type , and maintained throughout certain well - defined attributes . This static conception ...
Página 68
... humours ' plays , Every Man in His Humour ( acted 1598 , Quarto 1601 and revised version in the Folio 1616 ) , is a theatrically effective play . A simple and original plot permits the dramatic exposure of a number of characters : the ...
... humours ' plays , Every Man in His Humour ( acted 1598 , Quarto 1601 and revised version in the Folio 1616 ) , is a theatrically effective play . A simple and original plot permits the dramatic exposure of a number of characters : the ...
Página 97
... humours ' comedy for a moral purpose . Little is known of Mas- singer's relations with Jonson . It has been surmised that they were unfriendly , but whatever may have been their personal feelings Massinger obviously studied Jonson's ...
... humours ' comedy for a moral purpose . Little is known of Mas- singer's relations with Jonson . It has been surmised that they were unfriendly , but whatever may have been their personal feelings Massinger obviously studied Jonson's ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote