A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 53
... give more completely an impres- sion that the action was not merely a story , but arose out of a world whose atmosphere and values were imagined in the verse . Despite the Italian atmosphere there is no world behind the play , as in ...
... give more completely an impres- sion that the action was not merely a story , but arose out of a world whose atmosphere and values were imagined in the verse . Despite the Italian atmosphere there is no world behind the play , as in ...
Página 107
... give up his right to preach freely . It was an easy imprisonment and permitted him to write Grace Abounding in 1666 : he was in gaol again , when , in 1678 , he published the first part of The Pilgrim's Progress . A working class ...
... give up his right to preach freely . It was an easy imprisonment and permitted him to write Grace Abounding in 1666 : he was in gaol again , when , in 1678 , he published the first part of The Pilgrim's Progress . A working class ...
Página 154
... give proof that his genius was inex- haustible by adding a third act ' Don Juan in Hell ' , and an ' Epistle ... gives a human quality to the action ; this did not prevent the play being banned , though performance at the Abbey Theatre ...
... give proof that his genius was inex- haustible by adding a third act ' Don Juan in Hell ' , and an ' Epistle ... gives a human quality to the action ; this did not prevent the play being banned , though performance at the Abbey Theatre ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote