A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
Dentro del libro
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Página 112
... gave up these studies to be a courtier . As a contemporary said ; ' he soon left the Dry Studies of the Law , and gave in to Pursuits more Agreeable to His own Genius , as well as to the Taste of the Age ' . His earliest play soon ...
... gave up these studies to be a courtier . As a contemporary said ; ' he soon left the Dry Studies of the Law , and gave in to Pursuits more Agreeable to His own Genius , as well as to the Taste of the Age ' . His earliest play soon ...
Página 132
... gave to the domestic or private theme some gestures of an historical setting . It is difficult to discover the resemblances to Shakespeare , but it was an effective play for the stage and gave Mrs Siddons one of her greatest parts . The ...
... gave to the domestic or private theme some gestures of an historical setting . It is difficult to discover the resemblances to Shakespeare , but it was an effective play for the stage and gave Mrs Siddons one of her greatest parts . The ...
Página 183
... gave great pleasure to countless playgoers of his generation , and , often in his work , he seems to indicate that he could have done so much more , if the theatre had been closer to the centre of society in his time . The Vortex ( 1923 ) ...
... gave great pleasure to countless playgoers of his generation , and , often in his work , he seems to indicate that he could have done so much more , if the theatre had been closer to the centre of society in his time . The Vortex ( 1923 ) ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote