A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 82
... figures . Chapman combines violence and melodrama with rhetoric and passages of finely composed reflective poetry . In ... figure of Tamburlaine and contemplated the whole theme of power again , but more philosophically . The verse has ...
... figures . Chapman combines violence and melodrama with rhetoric and passages of finely composed reflective poetry . In ... figure of Tamburlaine and contemplated the whole theme of power again , but more philosophically . The verse has ...
Página 135
... figure , Charles Macklin , who , if the records are to be trusted , lived to be over a hundred , and was engaged actively on the stage for over sixty years . He brought some degree of naturalness into the inter- pretation of ...
... figure , Charles Macklin , who , if the records are to be trusted , lived to be over a hundred , and was engaged actively on the stage for over sixty years . He brought some degree of naturalness into the inter- pretation of ...
Página 169
... figure of the contemporary generation of English actors is , possibly , Sir Laurence Olivier . His early days were spent with the Birmingham Repertory Company , but in 1944 he began a period of co - direction of the Old Vic with Sir ...
... figure of the contemporary generation of English actors is , possibly , Sir Laurence Olivier . His early days were spent with the Birmingham Repertory Company , but in 1944 he began a period of co - direction of the Old Vic with Sir ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote