A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 29
... drama made a sudden and spectacular step forward some- where between 1530 and 1580. For 1530 is the probable date of ... drama , particularly the tragedies of Euripides . In his own tragedies he retained the chorus of Greek drama ...
... drama made a sudden and spectacular step forward some- where between 1530 and 1580. For 1530 is the probable date of ... drama , particularly the tragedies of Euripides . In his own tragedies he retained the chorus of Greek drama ...
Página 179
... dramatic situations . Unlike Synge , and , later , unlike O'Casey , he and Lady Gregory had a theory of what drama should be , and with Yeats this theory be- came more important to him in his later years . He and Lady Gregory had ...
... dramatic situations . Unlike Synge , and , later , unlike O'Casey , he and Lady Gregory had a theory of what drama should be , and with Yeats this theory be- came more important to him in his later years . He and Lady Gregory had ...
Página 182
... dramatic atmosphere been more promising all this energy might have been turned into drama . Much in the theatre of the ' twenties and the ' thirties is ephemeral ; it was not worth doing at the time and is not likely to be remembered ...
... dramatic atmosphere been more promising all this energy might have been turned into drama . Much in the theatre of the ' twenties and the ' thirties is ephemeral ; it was not worth doing at the time and is not likely to be remembered ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote