A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 190
... difficult to know that one is listening to verse until the text is examined . It is true that much poetic drama had been rendered ineffective for the stage by the use of a fustian verse rhetoric , and Eliot's subtle comprehension of the ...
... difficult to know that one is listening to verse until the text is examined . It is true that much poetic drama had been rendered ineffective for the stage by the use of a fustian verse rhetoric , and Eliot's subtle comprehension of the ...
Página 197
... difficult to understand , has a relationship with the crisis following Egypt's nationalization of the Suez Canal and Osborne's own complex love - hate relation towards England . Archie Rice and all the miserable and defeated creatures ...
... difficult to understand , has a relationship with the crisis following Egypt's nationalization of the Suez Canal and Osborne's own complex love - hate relation towards England . Archie Rice and all the miserable and defeated creatures ...
Página 204
Benjamin Ifor Evans. for the stage is the most difficult thing of all , whatever the system . I find it more difficult the more I think about it . ' These last sen- tences contrast with all he had written about the audience . They show ...
Benjamin Ifor Evans. for the stage is the most difficult thing of all , whatever the system . I find it more difficult the more I think about it . ' These last sen- tences contrast with all he had written about the audience . They show ...
Contenido
INTRODUCTORY II | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
THE BEGINNINGS OF TRAGEDY OF THE HISTORY | 29 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English drama English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote